Difference between revisions of "Isabelle Dinwiddie"

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[[Marion Zimmer Bradley]] condemned Dinwiddie’s work as “saccharine verse” in ''[[Kipple (Pauls)]]'' 15 ([https://fanac.org/fanzines/Kipple/Kipple15.pdf July 1961, p. 14]). And in ''[[Gambit]]'' 30 ([https://fanac.org/fanzines/Gambit/Gambit30.pdf December 1958, p. 13]), [[Noreen Falasca]] wrote:  
 
[[Marion Zimmer Bradley]] condemned Dinwiddie’s work as “saccharine verse” in ''[[Kipple (Pauls)]]'' 15 ([https://fanac.org/fanzines/Kipple/Kipple15.pdf July 1961, p. 14]). And in ''[[Gambit]]'' 30 ([https://fanac.org/fanzines/Gambit/Gambit30.pdf December 1958, p. 13]), [[Noreen Falasca]] wrote:  
  And now to a subject that touched me deeply. I refer to [[Redd Boggs]]' quote in #25, "Who are [[the Falascas]]? Could Mrs. F be the lady poet [[Harlan Ellison|Ellison]] used to feature in his rag four or five years ago?"
+
  I have tried to the best of my ability to go straight and live down my errors, but every time I think people have forgotten, along comes some [[fanhistorian|his­torian]] who says, in loud ringing tones, "Noreen Falasca used to be a *lady poet* for [[Harlan Ellison|Ellison]]".... Now that it's out in the open about my Dinwiddie past, I ask all of you to forgive and forget and let me start over.
 
Mr. Boggs, suh, there are certain things no gentleman would ever discuss about a lady's past. I mean, there is such a thing as honor among fans pnd all that. I have tried to the best of my ability to go straight and live down my errors, but every time I think people have forgotten, along comes some [[fanhistorian|his­torian]] who says, in loud ringing tones, "Noreen Falasca used to be a *lady poet* for Ellison." I do, however, thank Redd very kindly for calling me a lady. That's about 100 degrees better than most of what I've been called lately and it makes me feel glad all over. Now that it's out in the open about my Dinwiddie past, I ask all of you to forgive and forget and let me start over.
 
  
 
Dinwiddie attended [[SFCon]] in 1954.  
 
Dinwiddie attended [[SFCon]] in 1954.  

Revision as of 13:30, 10 March 2023

(???? – )

Isabelle E. Dinwiddie, an Oakland, CA, fan and poet, was active in the 1940s through ’60s. Her principal fanac seems to have been penning stfnal poetry, and scads of her poems appeared in a wide variety of fanzines, including the Mutant, Confusion, Spaceship, Psychotic and SF.

Marion Zimmer Bradley condemned Dinwiddie’s work as “saccharine verse” in Kipple 15 (July 1961, p. 14). And in Gambit 30 (December 1958, p. 13), Noreen Falasca wrote:

I have tried to the best of my ability to go straight and live down my errors, but every time I think people have forgotten, along comes some his­torian who says, in loud ringing tones, "Noreen Falasca used to be a *lady poet* for Ellison".... Now that it's out in the open about my Dinwiddie past, I ask all of you to forgive and forget and let me start over.

Dinwiddie attended SFCon in 1954.

Bibliography at ISFDB.

INVASION
Isabelle Dinwiddie

A brooding calm lay over the Earth
On the night of a masquerade ball.
The guests were clad in fancy attire 
Circling the dimly-lit hall.
Louis XIV danced with a rag doll,
The Queen of Hearts with a chimney-sweep 
Puss-in-Boots with Mother Hubbard's Dog 
And Lucifer with Little Bo-Peep.

Music grew merrier, then quite mad 
Unnoticed the figures that now stole
In and out amid the hectic throng, 
Following the wake of Old King Cole.
Venusian visitors scattered
Death laden dustmotes over the crowd, 
While some escaped to spread the plague 
Others died, there masquerade a shroud. 
Wherever the dustmotes fell and clung 
They multiplied a billion fold.
Soon Terra was numbered among
The planets of death and cold.

——From Spaceship 17 
(April 1952, p. 22, Bob Silverberg, ed.)



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