Difference between revisions of "Tom Reamy"
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Subsequently, Reamy put his professional skills as a technical illustrator to good use in [[fanzines]], publishing the slickly produced, professionally printed fanzine ''[[Trumpet]]'', which was nominated for the [[1967 Best Fanzine Hugo]] and the [[1969 Best Fanzine Hugo]]. In the early 70s, after moving to [[Kansas City]], he dropped ''[[Trumpet]]'' and began to publish ''[[Nickelodeon]]'', a similar, slick [[fanzine]] and went into business with [[Ken Keller]] as [[Nickelodeon Graphics]]. This partnership was also the basis of the [[Publications Division]] of [[MidAmeriCon]]. | Subsequently, Reamy put his professional skills as a technical illustrator to good use in [[fanzines]], publishing the slickly produced, professionally printed fanzine ''[[Trumpet]]'', which was nominated for the [[1967 Best Fanzine Hugo]] and the [[1969 Best Fanzine Hugo]]. In the early 70s, after moving to [[Kansas City]], he dropped ''[[Trumpet]]'' and began to publish ''[[Nickelodeon]]'', a similar, slick [[fanzine]] and went into business with [[Ken Keller]] as [[Nickelodeon Graphics]]. This partnership was also the basis of the [[Publications Division]] of [[MidAmeriCon]]. | ||
| − | In the late 60s, he created and [[chaired]] the [[Big D in '73]] [[Worldcon bid]] which attempted to bring the 1973 [[Worldcon]] to [[Dallas]]. He also edited the [[bidzine]] [[Dallascon Bulletin]] which, again, was a slick production far nicer than anything which had been done before. The bid collapsed, however, just a few months before the vote at [[Noreascon 1]], but the production qualities Reamy pioneered permanently changed the way [[bidding]] was done. | + | In the late 60s, he was one of the founders of the [[Dallas SF Society]] and created and [[chaired]] the [[Big D in '73]] [[Worldcon bid]] which attempted to bring the 1973 [[Worldcon]] to [[Dallas]]. He also edited the [[bidzine]] [[Dallascon Bulletin]] which, again, was a slick production far nicer than anything which had been done before. The bid collapsed, however, just a few months before the vote at [[Noreascon 1]], but the production qualities Reamy pioneered permanently changed the way [[bidding]] was done. |
In 1974, he joined the [[KC in '76]] [[Worldcon bid]] and moved to [[Kansas City]]. When the [[bid]] won, in addition to publications, he also ran ran the convention's ambitious film program. | In 1974, he joined the [[KC in '76]] [[Worldcon bid]] and moved to [[Kansas City]]. When the [[bid]] won, in addition to publications, he also ran ran the convention's ambitious film program. | ||
Latest revision as of 07:03, 31 May 2024
(January 23, 1935 – November 4, 1977)
He became active in fandom in the early 50s and in 1953, along with Orville Mosher, founded the first sf club in Texas, the Dallas Futurian Society (DFS) which was named after the New York Futurians. During the next five years, Reamy was active in the club and edited the clubzine CriFanAc.
In 1958, Reamy, along with Jim Benford and Gregory Benford, ran the first SF convention in Texas, Southwestercon VI which resulted in the demise of the DFS amidst some acrimony and fannish politics.
Subsequently, Reamy put his professional skills as a technical illustrator to good use in fanzines, publishing the slickly produced, professionally printed fanzine Trumpet, which was nominated for the 1967 Best Fanzine Hugo and the 1969 Best Fanzine Hugo. In the early 70s, after moving to Kansas City, he dropped Trumpet and began to publish Nickelodeon, a similar, slick fanzine and went into business with Ken Keller as Nickelodeon Graphics. This partnership was also the basis of the Publications Division of MidAmeriCon.
In the late 60s, he was one of the founders of the Dallas SF Society and created and chaired the Big D in '73 Worldcon bid which attempted to bring the 1973 Worldcon to Dallas. He also edited the bidzine Dallascon Bulletin which, again, was a slick production far nicer than anything which had been done before. The bid collapsed, however, just a few months before the vote at Noreascon 1, but the production qualities Reamy pioneered permanently changed the way bidding was done.
In 1974, he joined the KC in '76 Worldcon bid and moved to Kansas City. When the bid won, in addition to publications, he also ran ran the convention's ambitious film program.
In the early 70s, he was one of the founders of the Turkey City Writer's Workshop in Dallas. He began a promising pro writing career and won the 1976 Campbell Award, and received nominations for the 1976 Best Novelette Hugo and the 1979 Best Novel Hugo.
Awards, Honors and GoHships:
- 1976 -- Toastmaster at Solarcon II, Campbell Award, Best Novelette Hugo nominee
- 1977 -- Solarcon III, Nocrescon II
- 1979 -- coveted Balrog Award, Best Novel Hugo nominee
- three Nebula nominations
| Person | 1935—1977 |
| This is a biography page. Please extend it by adding more information about the person, such as fanzines and apazines published, awards, clubs, conventions worked on, GoHships, impact on fandom, external links, anecdotes, etc. See Standards for People and The Naming of Names. |
