Difference between revisions of "Magarian"
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| − | '''Magarian''' and '''T. Magarian''' were the signatures for the joint works of | + | '''Magarian''' and '''T. Magarian''' were the signatures for the joint works of [[art]]ists [[Albert Magarian|Albert]] and [[Florence Magarian]], a prominent husband-and-wife illustrator team known for [[art]]work and [[cartoons]] in [[Ziff-Davis]] [[pulp]] magazines, such as ''[[Fantastic Adventures]]'' and ''[[Amazing Stories]]'', in the 1940s. |
“Three Eyes in the Dark,” a sketch for a [[Don Wilcox]] story, was the first of their stippled black-and-white interior [[illos]] appearing from 1941 through 1948. Albert drew the outlines of each piece; Florence did finishing work and added details. | “Three Eyes in the Dark,” a sketch for a [[Don Wilcox]] story, was the first of their stippled black-and-white interior [[illos]] appearing from 1941 through 1948. Albert drew the outlines of each piece; Florence did finishing work and added details. | ||
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Perhaps erroneously, [[Forry Ackerman]] [[Chicon I Reminiscence (Ackerman)|remembered]] originals of the Magarians’ work being [[auctioned]] at [[Chicon]] in 1940, donated by ''Amazing'' editor [[Ray Palmer]]. | Perhaps erroneously, [[Forry Ackerman]] [[Chicon I Reminiscence (Ackerman)|remembered]] originals of the Magarians’ work being [[auctioned]] at [[Chicon]] in 1940, donated by ''Amazing'' editor [[Ray Palmer]]. | ||
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| + | {{person}} [[Category:pro]] [[Category:US]] | ||
[[Category:penname]] | [[Category:penname]] | ||
| + | [[Category:artist]] | ||
Latest revision as of 22:39, 28 November 2020
Magarian and T. Magarian were the signatures for the joint works of artists Albert and Florence Magarian, a prominent husband-and-wife illustrator team known for artwork and cartoons in Ziff-Davis pulp magazines, such as Fantastic Adventures and Amazing Stories, in the 1940s.
“Three Eyes in the Dark,” a sketch for a Don Wilcox story, was the first of their stippled black-and-white interior illos appearing from 1941 through 1948. Albert drew the outlines of each piece; Florence did finishing work and added details.
Perhaps erroneously, Forry Ackerman remembered originals of the Magarians’ work being auctioned at Chicon in 1940, donated by Amazing editor Ray Palmer.
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